Two tickets to the Entertainment Law Initiative GRAMMY Week Event Two tickets to MusiCares® Person of the Year A nationwide panel of music law experts judge the papers in a blind process to select one winner and two runners-up. The ELI Writing Contest challenges law students to identify and research a pressing legal issue facing the music industry today and outline a proposed solution in a 3,000-word essay. Information about the 2024 contest will be released fall 2023.
Congratulations to 2023 ELI Writing Contest Winner Aron Lichtschein. Submissions for the 2023 contest are closed. How The Entertainment Law Initiative Tackles Today’s Leading Law Issues & Fosters The Next Generation of Legal InnovatorsĢ3rd Annual Entertainment Law Initiative Honors Black Entertainment And Sports Lawyers Association, Discusses Future Of Music IndustryĢ019 Entertainment Law Initiative Event With Dina LaPolt, Tina Tchen, Steven Tyler & MoreĮntertainment Law Initiative Writing Contest Inside The 2023 Entertainment Law Initiative GRAMMY Week Event: Heartfelt Hilarity & A Dedication To Helping The Music Community
#Peter patterno professional
The annual ELI GRAMMY Week Event gathers professionals and creators alike to celebrate, hear from industry leaders and allies, and acknowledge achievements of music business trailblazers through the ELI Service Award, an accolade presented to a legal professional or entity who has demonstrated commitment to advancing and bettering the music community through service.
Information about the 26th Annual ELI Event will be released fall 2023. Thank you to those who attended the 25th Annual ELI GRAMMY Week Event and congratulations to 2023 ELI Service Award recipient Peter Paterno of King, Holmes, Paterno & Soriano, LLP. Keep an eye on this page for announcements about 2023 ELI professional and student events, online programs and other opportunities.Įntertainment Law Initiative GRAMMY® Week Event How Independent Artists Can Protect Their Work How The Entertainment Law Initiative’s “The Evolution Of The Record Contract” Panel Analyzed The Essentials Of Record DealsĬlick the link below to watch ELI’s fall 2022 collaborative panel with GRAMMY U: Read about the most recent professional development and networking event below: 22-23 Entertainment Law Initiative Executive CommitteeĢ2-23 Entertainment Law Initiative Advisory Council In partnership with the nation’s top entertainment law practitioners and schools, the initiative offers year-round networking and career development events for professionals and cultivates the next generation through connection and educational opportunities for students. Dre.The Entertainment Law Initiative was established by the Recording Academy® to encourage discussion and debate around legal affairs in the ever-evolving music industry and how they impact creatives and the greater music community. The only other person that said something in public was Dr. Everybody was too shit fucking scared and too much of a pussy to take a step forward. Every day that summer, there was not a musician or peer or somebody inside the music business who wouldn't pat me on the back and go, 'You guys are standing up for the rest of us.' But the minute we were out in public, we were on our own. And then all of a sudden this whole other thing happened and we were in the middle of it, alone. "After the shots were fired, the band found plenty of people congratulating them for their efforts behind closed doors. "Somebody to be fucking with us so, fuck it, you fire back," said Ulrich. In 2016, drummer Lars Ulrich said he was still proud of the fact that they " stood up for what we believed in at the time," but added that he felt they could have better prepared for the backlash that followed. READ MORE: Metallica's Lars Ulrich Offers Hindsight on Napster Battle A lot of people think that’s really a radical stance, but we went from a business that was doing $30 billion a year to doing a third of that in three or four years because of people’s creativity not being rewarded. When Paterno was told that was a stance that was hard to disagree with, he responded, "Well, a lot of people do. It’s like Dre said when we told him about Napster, he said, 'I work 24/7 in the lab and these guys just steal it? Screw them.'" Those fans aren’t fans - fans pay for music and appreciate its value. He continues, "It was really necessary in order to set the ground rules for what music is worth. 'You could have made a deal.' What was the deal? People were getting music for free." The popular opinion now is a sort of revisionist history that we shouldn’t have sued Napster, we should have worked something out with them - well, no, there was nothing to work out with them. When asked why, Paterno explained, "Because they were basically thieves! It’s not a popular opinion.
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